Ask Inkitt: I Need Help Writing the Action!

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Today’s ‘Ask Inkitt’ Question: I’m working on my first thriller, but I’m not very good at writing action scenes. Do you have any tips?

I sure do! As someone who writes mostly science fiction, with a little romantic suspense on the side, I’ve choreographed quite a few action scenes on the page. I love writing them. In my mind, I visualize the action taking place on the big screen, with the spaceships of my imagination firing at one another in hair-raising battles, or my main character fleeing through a busy marketplace, pursued by a fearsome enemy.

But how do we translate the heart pounding, edge-of-the-seat, adrenaline rush we get from watching an action scene to the pages of a book? What are the fundamental writing techniques used to accomplish this? From my research and my own writing, I’ve pulled together these top five tips to help you craft intense action scenes:

1. The stakes have to be high in an action scene.

There are a couple of things to think about here. If a book begins with an action scene, readers don’t have an emotional attachment to the characters yet, therefore, the action itself has to be compelling enough and interesting enough for readers to stay engaged. Once readers have made a connection to the characters, and care about their well-being, a real threat, with real stakes, will keep them engaged. Here’s more on upping the stakes in your story: Raise the Stakes – What Makes Readers Care About Your Story?

2. Build tension through your writing choices.

Show don’t tell. This expression is certainly worn-out and yet still quite useful! Good writing can include beautiful, lyrical prose and a good bit of telling, but action scenes aren’t the place for this. Also, pay special attention to pacing within an action scene. Some ways to do this include: choosing powerful action verbs, using active versus passive sentence structure, and providing information to your readers in real time – as your character receives it. Here are some more detailed and practical tips on how to show more and tell less: What’s all the Fuss about Show vs. Tell?

3. Limit descriptions during the action.

Characters won’t notice the myriad colors of the sunset when they’re racing through a canyon chased down by dragons, and the writer shouldn’t take time to point them out! Unnecessary or lengthy descriptions thrown into an action scene will break the tension and pull the reader out of the story. Stick to the most important descriptions only – things that are relevant in the moment and to the action at hand.

4. Consider the dialogue.

While running for their lives, characters aren’t going to engage in deep, meaningful conversations. They’re going to communicate only what’s absolutely necessary, using language that reflects their emotions and furthers their immediate goals. Speech might feel abrupt or sharp, depending on the situation. There may be some colorful language! When I’m writing an action scene, I’ll often try to imagine myself experiencing it. What would I be thinking in that moment? What would I say and how would I say it? I always read dialogue aloud to see if it sounds authentic.

5. Show your character’s behavior under stress.

Give readers a peak into the character’s mind and allow them to feel that character’s mental or physical stress. Are they near exhaustion? Are they afraid or angry? What quick, potent language can you use to describe those feelings? Under stress, a character’s decision making will also be impacted. It will be from the gut, not careful or measured. Often, these decisions, made in the heat of the moment, reveal something interesting about that character – maybe a strength or a weakness.

In the context of your whole story, action scenes should have a major impact on the characters involved, and they should serve to move the plot forward. A well-written action scene will also keep readers turning the page and eager to find out what happens next!

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About Author

Tabitha Lord is the award-winning author of the HORIZON series. She lives in Rhode Island with her husband, four kids, two spoiled cats, and lovable black lab.

1 Comment

  1. John K. Sutherland on

    Short, jabby sentences, are often used to denote action. Punch, punch, punch, so that you can feel the aggression. Very little dialogue that is not directly related to what is happening.

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