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On Being Known

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Summary

January 1894 A collection of essays arrives at Blackwood & Everly, earning the attention of Percival Blackwood, a discerning publisher with a fondness for a well-made argument. The author, C. J. Bramwell, expects a professional exchange. What follows is several months of letters, literary debates, and increasingly personal confidences. Through discussions of honesty, concealment, intimacy, and the distance between appearance and truth, a correspondence between strangers becomes something neither could have anticipated. But there are truths that cannot remain between the lines forever.

Status
Complete
Chapters
57
Rating
n/a
Age Rating
13+

02 January 1894

Dear Mr. Blackwood,

You will forgive, I hope, the presumption of a stranger's letter. I write on the authority of my friend Miss Pauline Marsh, whose brother, I believe, was at Oxford with you. She assures me that Blackwood & Everly reads what it receives, which is recommendation enough for me to try.

I am writing a collection of essays. They concern themselves, broadly, with the relationship between truth and its depiction in fiction- whether the novel is better served by beauty or by honesty, and whether the two are, in the end, the same animal wearing different coats. I have been told this is either a very interesting question or a very old one. I suspect it is both.

I have enclosed the first essay, which is the shortest and perhaps the strangest, and so either the worst place to begin or the best. It is called On Masks. It asks whether a character who conceals himself from the reader is a liar, or simply a person.

I do not know if this is something that would interest Blackwood & Everly. I confess I am more nervous than I expected to be in sending it. I mention this only because the essay argues, among other things, that honesty is the only real craft, and it seemed hypocritical not to practice it here.

I am,

C.J. Bramwell

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