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GODstatic: Unweighed

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Summary

Gilgamesh is fighting off Threshers, grey creatures that climb out of the dark on long, wrong legs. He has put down nine of them and is counting the tenth. He carries a weight that pulls him toward a place he can't yet see. The story moves through the night in timestamped sections, from 11:47 to 11:54 PM. He descends through the roots toward a wolf's jaw forged from ashen iron, its runes filled with soot. The jaw is shut on a grey, stone-cold hand, a god's hand given freely. Behind it, rust-red honeycomb turns in a slow rotation, and the iron calls it the Sunder Ring. He is the counterweight that the lock needs. When he lays both hands on the jaw, it gives. Light comes out, and in it he sees a face. Maat tells him the dead man is not dead any longer. The chapter closes with the pulse starting again, and a teaser for The Three-Pound Debt.

Status
Complete
Chapters
4
Rating
n/a
Age Rating
18+

Unweighed

He has put down nine of them, and he is counting the tenth.

He counts the way other men breathe: without deciding to, and badly when he tries to stop. The Threshers come up out of the dark between the trees on their long, wrong legs, grey as wet ash, and he meets each one where his blade costs the most and the world costs the least. A cut at the knee. A turn of the wrist. The weight of the thing goes where he sends it and no farther. It looks less like fighting than bookkeeping. People have told him so, some of them kindly.

Behind him, along the line, others are holding their own ground. He knows each of them by their breathing. They are not his blood, and he would stand here until the ages ended before he let one Thresher through to them.

The ground under his feet is a patch of gravel no bigger than a threshing floor. He did not choose it by accident. It sits where the fault runs nearest the surface, and he has stood on patches like it since before anyone had a word for fault. He is a stone holding down a map in the wind. That is the whole of the work. No one has ever thanked him for it, and he has never once wanted them to.

Beyond the tree line a tower stands against the dark, too tall to be built, its crown lit from the inside like a fever. He has not looked straight at it in an hour. Whatever is happening there is not his to hold.

Under the work there is the tremor.

It is not a sound. It is a thread of movement in the earth, thin as a hair, and he has followed it for years, half-trusting it. It is the one thing he can feel in both places at once, the living world and the other. It led him, in the end, to this valley, and to a few people he has learned to stand beside, which was never part of the plan.

At 11:47 it stops.

It does not fade. It stops, and you notice not by hearing it but by the sudden size of the room.

The tenth Thresher is already on him. He kills it without looking, and is surprised to find his hand has done it correctly, and puts the surprise away to be had later.

“Something stopped,” he says.

Maat is beside him. She does not reach for him. She never reaches for anyone; it is not her office. She stands at the edge of the gravel with her eyes on the dark where the tremor used to be, and her eyes have never rested on a thing that was not exactly its own weight.

“Yes,” she says.

“Is it—” He stops. He does not know what noun belongs at the end of the sentence.

“I would tell you if I knew.” She says it plainly. It is the most frightening thing about her, and in the long middle of the ages it was the only thing that let him sleep within a mile of her. “I don’t know.”

Another Thresher comes up out of the trees. He turns toward it.

The ground, which in all the time he has held it has never asked him for anything, takes hold of his left wrist.

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