The Terrace
I noticed her long before I ever spoke to her properly.
Her name was Ananya. She lived two floors above me in the same quiet building on the edge of the city, the kind of place where people kept to themselves and the elevators always smelled faintly of detergent and old wood. I saw her most mornings when I left for work—hair still damp, carrying a steel tiffin and a worn canvas bag, walking with that unhurried, straight-backed grace that made everything around her feel slightly louder. Sometimes she wore glasses. Sometimes her hair was twisted into a loose knot that never quite held. She had a small mole near the corner of her left eye and a way of looking at things as if she was already half somewhere else.
I was usually easy with women. Too easy, according to the few friends who still checked in. Conversation came naturally. Reading a room came naturally. But with her the usual fluency disappeared. The few times we ended up in the same elevator I managed only the safest remarks about the weather or the broken intercom on the third floor. She would smile politely, say something soft in return, and then the doors would open and she would step out, leaving the air slightly altered.
The real beginning was the terrace garden.
Someone in the society had started a half-hearted community garden on the roof—clay pots, struggling tomato plants, a couple of jasmine creepers that actually thrived. I went up there most evenings to smoke and clear my head. She started coming around the same time, always with a small watering can and a paperback she rarely opened. We began with nods. Then short comments about the plants. Then longer silences that somehow felt less awkward than they should have.
One humid Thursday she stayed later than usual. The sky had gone the colour of bruised fruit. She was kneeling beside a pot of mint, sleeves rolled up, soil under her nails. When she looked up and caught me watching, she didn’t look away immediately.
“You’re always up here,” she said.
“So are you.”
A small, almost private smile. “I like that it doesn’t ask for anything.”
That was the first real conversation. It stretched longer than either of us expected. We talked about the city, about work (she designed interiors for people who wanted their houses to look lived-in but never messy; I wrote code for a company that made everything look clean and empty). We talked about the kind of loneliness that doesn’t announce itself. When the first drops of rain started she stood, brushed the dirt from her knees, and said she should go. At the stairwell door she paused.
“Goodnight, Rohan.”
It was the first time she used my name. I didn’t sleep properly that night








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