(30) They fall from high climbing short ladders

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Summary

"You can't. You don't. But I did. I chose to. Snakes and ladders..." Warning: Any direct or indirect ressemblance to anything or anybody living or dead is purely coincidental! The storybook "Morbid and moronic referential code of life and society" is inspired and dedicated to Giovanni Boccaccio, the 14th century Italian author of the "Decameron". The multiple character formula is a useful setting for me. Boccaccio's storytelling is lively, sarcastic, off beat and challenging to the norm with these truths we accept when we have to. The stories in the referential code are (according to the author) Contributions of accounts sent by all kinds of people, some recounting an event they witnessed or remember. Some leave a chilling first hand narrative. The tone is "descriptive". The anonymous context allowed revelations of personal experiences outside of daily life, or on subjects all contributions had to live up to: We want only accounts of what life and society have as the least comforting to offer.The result are "stories" mysterious and suspenseful, with sarcasm, irony and dark humour. There are funny moronic moments, but there is no escaping the grip of terrible sadness and trauma, all weaved in a pattern studded with tidbits of history, occult, chaos, mortality and death

Status
Complete
Chapters
1
Rating
n/a
Age Rating
13+

(30) They fall from high climbing short ladders

There are a multitude of dwellings outside your very own. We see them and walk by everyday.

Regardless of their size and whether it could be public, private, residential or commercial,-even no matter what they are built from -in short-no matter what-they all share in common a small detail invisible to our eyes, unsuspected and unnoticed.

Not surpeisingly, no piece of scientific equipment or technological tool is able to reveal its existence.

Many a determined folk somewhat privy to the architectural component have never been successful in discovering it either.

Years and sometimes lifetimes spent searching and speculating produced a wealth of litterature on the subject in the form of books, pamphelets and scholarly documents. Some of the material is very esoteric and obscure. Yet some researchers were able to state openly what their conclusions led them to identify as the object.

I wish to apologize in advance for the tedious approach and contradictory stance on this subject.

I was in an impossible situation! It was futile and worthless. How do you discuss what is held back from disclosure?

You can't. You don't.

But I did. I chose to.

Snakes and ladders...

It sounds finally so unassuming makes you wonder why all The secrecy over it.

The origins of this secrecy it must not be forgotten, was not only the simple desire to keep the neophyte off the right track outside of gatherings to prevent prematurely performed initiatory rituals without the necessary attendance.

It was first designed as a protection against false accusations of heresy. What had to avoid detection became encoded in many works of art, literature and architecture.

My wrong will help create a solid foundation for enlightenment.

I chose to make clear the standing and significance of but one element that has ramifications and meaning in other occult spheres also but in different ways and for different reasons.

It is said the truth upon which it casts light on is prevented from completely gaining a foothold in our daily consciousness. The biggest barrier being the limitations of our own five senses on which we rely on exclusively to view and experience life.

That is why in the wrong hands the lesson may become corrupt.

The wealth of written material on this architectural element share another common feature. They provide various instructions supposed to allow the object to reveal itself briefly.

This created a notion of unaccompanied facility preaching that if you proceed carefully, after a periond of minimal occult decoding-if you are successful, worthy or perhaps just a lucky individual-the object or whatever it is might appear visible to the eye for a very brief moment. Just barely long enough to catch a glimpse of what it is.

Although no one is supposed to mention it to anyone outside of initiation to the proper degree, as in the sworn secrecy of the Elusinian mystery schools, the hundreds of depictions and illustrations accompanying and embellishing the pages of many texts on the subject are a breach of conduct.

These depictions apparently show us clearly something we don't usually see as being part of any construction. They are claimed to be the elusive architectural component in question.

Naturally, because all these depictions contradict each other and are so different to one another-they can't all be right-that means most of them have to be wrong.

The truth is, they all are incorrect, fanciful products of the mind and imagination.

The reason for this is very simple: the fabled object is inherent. Its existence serves no other purpose than to measure and impact the values brought on by all the people, their intentions, actions and resulting persona absorbed within the construction of a building that is the eco system of every place people go.

What there is to see everyone has already seen it already without knowing. There is nothing more to see. The more one stands on the outside looking-the more garantied they are to uncover absolutely nothing.

The truth may come as a surprise, but it is only upon entering does one run the opportunity of ever coming in contact with it. Even more precisely, it is upon exiting that a person gets "branded"

Even then, for some individuals, nothing noticeable will happen. For others, it may take many visits while others are "branded" immediately the first time they enter and exit.

It is not as mysterious as it seems. Perhaps the most overlooked aspect is that dwellings contain not only entries. The moment someone leaves to go outside they either use a specially designated exit or perform one by reversing the entry.

It is only from that moment on that the fabled and elusive object becomes a physical reality, that can not be seen -but will imprint a person's unspoken values as an impact to their physical body as an open book revealing to all the nature of our excesses.

There is no object but a very tangibleand manifest consequence that is inescapable and becomes visible and observable to the naked eye.

It is amusing to consider that although everyone has seen these effects, first and foremost those regularly in contact with the person, to the point where such a thing is obvious and banal.

Eventually, it becomes impossible to hide. Our body and entire persona tell it all to who can observe.

No one ever came close to consider this aspect of cause and effect as the very grail they were lookimg for. There was no reason to believe it could only reveal itself in this way.

There is yet another unexpected hurdle. The exact dimensions or proportions of the object will be entirely wrong if we attempt to deduce it juging by the visible signs of imprinted corrupt values on a person's body and persona.

It is reasonable to deduce, based on our laws of gravity and cause to effect generally observed and accepted as an integral and unavoidable fact of exisrence, that the more the effects of an impact are visible, the higher must have been the fall to produce it.

We begin as soon as we're able to look at a T.V. screen. Morning cartoons show much "cause to effect" consequences.

The truth lies in the fact that we are not dealing with materials in the sense of architecture or building materials. These are completely unimportant-we are dealing with value and truths that are known and accepted universally and carried within each person.

What is of poor value and no consequence is also related to botched and makeshift means of produce infrastructure capable of investing, supporting and withstanding anything more than a house of cards.

It takes but a gentle breeze, or sometimes for no reason at all, the house of cards comes falling apart. Each little one setting in motion a domino effect that will only cease when there is nothing left to fall.

The object so much sought after is infact symbolically represented by the "ladder" and is in the center of most Masonic tracing boards wirh the foot and firstrung resting on the chequered black and white snake and ladder tiles.

The higher you climb means the infrastructure is more perfectioned and solid than the previous one. Your feet are firmly supported. The infrastructure is as solid as a castle and the individual wears the crown, key and cloak, able to see the truth further without the exclusive use of our phy open eyes.

This is knowing the secret of values and the relationship it plays in the cause and effect fabric of our daily lives.

Only the seeking to creating something out of nothing fall from a great height climbing the shortest ladders.