Customize readability
Aa

Omen IV: Millenium

Summary

In this reimagining of the Omen IV: Awakening (1991), Delia York, played by Asia Vieira, finds herself at the center of mysterious child deaths, while scientists from the United States and Russia try to unravel the mystery of possible genetic mutations in the dead, suspecting the emergence of a race of superhumans.

Status
Complete
Chapters
10
Rating
5.0 1 review
Age Rating
16+

Necessary Explanations

Two materials lay before me when I decided that this book should be written.

My solution is simple. The summer of 2000, hot and muggy, left a mark on our memories - not a solution, not a triumph, but the heavy silence of failure. We, a small team of scientists in Brooklyn, tried to understand a mystery that seemed important but slipped through our fingers. Names, dates, reports - all of it was there, but we found no truth. And now, as rumors and speculation begin to gather around this story, I feel a duty to tell it as it happened. Not for fame or sensation, but for the sake of honesty - to ourselves, to those who were with us, and to those whose lives we tried to understand.

The first material is the diary of Dmitry Sukhov, a Russian engineer whom we summoned from St. Petersburg. He was hired inexpensively, as was the custom in those years when Russia, still recovering from the 1998 crisis, gave away its specialists for modest money. Dmitry came to us shabby, in a strange costume from some St. Petersburg Halloween, with tired eyes and a habit of keeping a pack of Java in his pocket. He was not a hero, he was not a genius. He was a man - stubborn, confused, sometimes drunk, but sincere. His diary is not a scientific work, but a confession. It contains anger, melancholy, attempts to understand why he was here, in this noisy New York, among strangers and strangers’ ideas. He wrote about walks around St. Petersburg, about our arguments, about his faith and doubts. His words are like a mirror in which not only events are reflected, but also ourselves.

I edited his notes. Some pages had to be rewritten: his handwriting, uneven from fatigue or drink, was almost illegible. I removed the lines that were too personal - about his life in a Khrushchev-era apartment, about conversations with his grandmother, about the dreams that tormented him at night. They were not about the case that brought us together. But I kept his voice - sharp, with a Russian accent even on paper, with a habit of comparing our world with the films he had watched, or seeking answers in prayer before a small icon in a motel. His grievances, his hopes, his questions - all of that remained. This diary is not just a chronicle. It is a portrait of a man who sought meaning where we had all failed.

Now about the second component of this book - the official reports of our commission. Their origin is as obscure as their content, and requires a few words.

In early December 2000, when our project was officially closed, Elizabeth Crowe, the head of the committee, handed me a tattered folder. Scrawled on it, in blue ink as if in a hurry, was the project’s title-a word I will leave unexplained for now. Elizabeth handed over the papers, saying that they might “shed light on our failure.” Her voice was tired, her eyes doubtful. I’m still not sure what she meant, and I confess I don’t know if I understand their significance even now.

The reports are a mosaic of police reports, medical records, and our own notes. They come from many places: police department archives, hospital charts, even discharge summaries marked with stamps that hint at government involvement. Some are copies, the ink smeared, others are originals, with pencil marks in someone’s hasty hand. Who collected them? Who handed them to our modest institute in Brooklyn, where we worked on antiquated machines with humming fans and Windows 98 floppies? Perhaps they were an attempt to solve a mystery that seemed important but remained unanswered.

These papers are the opposite of Dmitry’s diary. If his entries are full of life, anger and melancholy, then the reports are cold and impersonal. They contain sparse facts, dates, numbers, medical terms that we tried to understand, but which only multiplied the questions. I did not edit them. They are included in the book as they came to me: with official language, with rare traces of a human hand - an underlined word, a crumpled corner. I only broke them into parts to alternate with Dmitry’s notes, as we read them then - in snatches, in breaks between arguments, coffee from cheap cups and the hum of old EEGs.

Why are these reports here? They are not a clue, but evidence. Evidence of how we, a group of scientists and one Russian engineer in a ridiculous trench coat, tried to make sense of the chaos of data. Perhaps there is a truth hidden in these lines that we did not see. Perhaps someone else will see more in them than we did.

Mark T.

Let demyankurnosoff know what you thought about this chapter!
Love this

0

Love this

Funny

0

Funny

Spicy

0

Spicy

Suspenseful

0

Suspenseful

Emotional

0

Emotional

Profound

0

Profound

Heartwarming

0

Heartwarming

Shocking

0

Shocking

Good Writing

0

Good Writing

Compelling Plot

1

Compelling Plot

Great Character

0

Great Character

Strong Dialog

0

Strong Dialog

Further Recommendations

Bloodlines

Ku_Rolet: The novel was good, and I really enjoyed reading it. I love the leads and their bond, but I have one question that confused me. How could Tristan have been dreaming about his mate since he was a child if Omara was already mated to someone else before him? If Kyle had accepted Omara, would Tristan ne...

Read Now
We Only Fake It on the Weekends

TopazHorizon: What a sweet love story! I loved all the little stories from their childhood and teenhood. It really gave depth to their very fast love story. It made sense! I love how their parents were part of the story, too. I love how Theo is so gentle with her, like she's fragile... And yet so bossy in bed hah...

Read Now
The Grumpy Next Door

Jane: A lovely story with good characters.

Read Now
The zatorian

Gabby: I’m working with **Lorey**, a platform that turns novel characters and scenes into interactive experiences readers can play.We can help you:- Turn your story into character profiles- Preserve each character’s voice and relationships- Create an interactive scene for you to reviewYour story won’t be r...

Read Now
The Neighbor's Son

Geneise: I really enjoy your writing style. I loved this story and the way they found each other. I was thinking it was gping to have an obsessed stalked situation but loved the history he had. Loved that the story had some twists and showed real life situations.

Read Now
PARIS IN THE DARK

Sasha: Love this kind of romantic stories, very good one.

Read Now
Marked By His Touch

Silent Lady : I like the way you wrote, creating suspense.

Read Now
An Irish Match

virgie: Loved their flirting, banter and confessions. Hope that Liam can convince Maeve to stay. Poor Declan, who wanted a love but just didn't fit.

Read Now
The Orc's Pet

Mary Wilkins: This was an enjoyable short story. Well done! 😄👏🏾👏🏾

Read Now