THE HOUSE THAT EATS MOURNING

All Rights Reserved ©

Summary

When Elaine Xu returns to a remote Chinese village for her estranged mother’s funeral, she expects guilt, awkward relatives, and old family resentment. Instead, she finds a mourning house that does not shelter the grieving — it feeds on them. The funeral has rules no one will explain. Do not cry before the incense burns down. Do not say the dead woman’s childhood name. Do not ask why the coffin is covered in red cloth. And above all, if the family asks Elaine to mourn her mother, she must refuse. But the longer Elaine stays inside the ancestral house, the more reality begins to rot. Her name appears in the family death records. A locked room displays photographs of women who supposedly died young. At night, the coffin shows her a body that looks far too much like her own. To survive the seventh night, Elaine must uncover what her mother truly ran from — and why the house has been waiting years to finish a funeral that was never meant for the dead.

Genre
Horror
Author
JinSu
Status
Complete
Chapters
17
Rating
n/a
Age Rating
18+
This is a sample

Chapter 1 — The Last Call From a Dead Woman

The first call came at 2:13 in the morning, when Elaine Xu was asleep in a city where snow turned the streets silver and no one believed in ghosts unless they were profitable.

She saw it the next day while brushing her teeth.

Mom.

Missed call.

Elaine stared at the screen long enough for toothpaste foam to slide down her wrist. Her first feeling was not fear. It was irritation, sharp and familiar. Her mother always called at the wrong hours, always forgot the time difference, always began with some practical concern and ended by circling back to the same old warnings.

Don’t leave your hair loose when you sleep.

Don’t rent a room facing north.

Don’t answer if someone calls your Chinese name from behind.

Elaine had stopped correcting her. She had stopped explaining that Toronto apartments did not care about directions, that loose hair was not an invitation to spirits, that people who called her Chinese name were usually relatives asking for money or strangers from government offices mispronouncing it.

She rinsed her mouth, put the phone face down, and went to work.

The second call came during a client meeting.

The third during lunch.

The fourth at 5:46 p.m., while she was buying frozen dumplings she would probably forget to cook.

By the seventh call, Elaine was standing in her apartment kitchen with one shoe off and the other still on, watching the phone vibrate across the counter as if something trapped inside it wanted out.

Mom.

She let it ring until it died.

Then came the voice message.

For three minutes Elaine did not play it. She stood in her coat, one foot bare on the cold floor, one hand still holding a plastic grocery bag that was cutting into her fingers. Outside the window, the city glowed blue and indifferent. Cars hissed through slush. Somewhere above her, a neighbor laughed too loudly at a television show.

The message icon waited.

Elaine pressed play.

At first there was only breathing.

Not the thin, hospital kind. Not the tired sighs her mother had made the last time Elaine saw her on video, when Mei Xu’s face had seemed smaller than the screen could explain. This breathing was wet and close, as if the phone had been held under a blanket.

Then came her mother’s voice.

“Lanlan.”

Elaine’s hand tightened around the phone.

No one called her that anymore. No one had called her that since she was six, since before Canada, before English, before her mother began introducing her as Elaine because “Western people cannot say your real name properly, and maybe that is safer.”

Another breath. Something scratched faintly on the recording. Wood against wood.

“Lanlan, listen to me. I know you won’t pick up. I know you’re angry. Be angry later.”

A pause.

In the background, something wailed.

Elaine lowered the volume by instinct, though she was alone.

It was a woman crying, but not like a person in pain. The sound rose and fell with ceremony, shaped by habit, almost musical. A funeral cry. Elaine had heard it only once before, in a half-remembered childhood courtyard where white cloth snapped in hot wind and adults pressed her head down before a wooden tablet.

Her mother’s voice returned, softer now.

“If they tell you I died, do not believe the first thing they say. If they ask you to come home, come before the seventh night. If they ask you to cry for me…”

The recording crackled.

Her mother whispered the last words in English.

“Don’t.”

Then the message ended.

Elaine stood in the kitchen until the motion-sensor light above the sink turned itself off.

Three days later, an email arrived from a man named Xu Ren, who called himself her uncle though Elaine had no memory of ever meeting him.

Subject: Your Mother’s Passing

Dear Elaine,

It is with a heavy heart that I inform you your mother, Mei Xu, returned to the ancestors on the ninth day of the ninth lunar month. Her body has been brought back to the village according to family custom. As her only daughter, you must return to complete the mourning rites.

Your mother requested that you attend.

Please come quickly. The funeral cannot be finished without you.

Attached was a photograph.

Elaine opened it before she could stop herself.

The image showed an old wooden house under a gray sky. Not a house, exactly. More like an ancestral hall, broad and dark, its tiled roof bowed beneath age and moss. White mourning cloth hung across the doorway in heavy loops. Two vertical funeral banners flanked the entrance, their black brush characters blurred by rain.

In front of the threshold stood a coffin.

Red cloth covered it.

Elaine zoomed in until the pixels broke.

At the edge of the photo, half hidden behind one of the pillars, stood a woman in a dark jacket.

Her face was turned away.

But Elaine knew the shape of her mother’s shoulders.

She shut the laptop so hard the screen flashed.

For the next hour she did everything except book a flight. She washed one plate. She opened her work email and replied to nothing. She searched “ninth day ninth lunar month death meaning” and closed the tab when the first result mentioned spirits returning. She called her mother’s Canadian number. It went straight to voicemail.

“You’ve reached Mei. Leave a message, but don’t leave bad news after sunset.”

Elaine hung up.

At midnight, she played the voice message again.

If they ask you to cry for me, don’t.

By morning, she had bought a plane ticket.

The journey took thirty-one hours, though later Elaine would remember it as much longer. A flight over a black ocean. A transfer in a terminal smelling of coffee and disinfectant. Another flight into a city whose humid air pressed against her face like a damp hand. A train through provinces she had no names for. Then a bus. Then, after the paved road narrowed into cracked concrete and the concrete became a ribbon of mud between terraced hills, a van driven by a man who did not ask questions until they had passed the last gas station.

“You are Xu family?” he said.

Elaine looked up from her phone. No signal.

“My mother was.”

The driver gave a short laugh that contained no humor. He was middle-aged, with a cigarette tucked unlit behind one ear and a red thread bracelet faded almost pink around his wrist. A string of plastic beads swung from the rearview mirror. Between them hung a tiny paper charm, yellowed at the edges.

“Was?” he said. “Family is family. Dead or alive, same door.”

Elaine did not answer.

Rain began as they climbed higher into the mountains. Thin at first, then thick enough to turn the windshield into moving glass. The van’s headlights caught bamboo groves, stone shrines, black pools of water gathered in potholes. Every few kilometers, Elaine saw narrow white strips of cloth tied to branches.

“What are those?” she asked.

The driver kept his eyes on the road.

“Someone died.”

“There are that many funerals?”

“Here?” He spat something out the window. “Always.”

Elaine pulled her coat tighter though the van was warm.

The village appeared without announcement, as if the mountains had opened their mouth and revealed it. Gray roofs clustered along a slope. Narrow lanes ran between old brick walls darkened by rain. Chickens scattered from the van’s wheels. A dog stood under an eave and watched them pass without barking.

No one was outside.

Elaine checked the time. 4:17 p.m. Not late. Not early enough for a whole village to be shut indoors.

The driver slowed as they passed beneath a wooden archway. Its signboard was so old that the characters had faded into black scars.

“Xu Village,” the driver said.

Elaine leaned toward the window.

Something white fluttered from the arch.

Another mourning strip.

Then another.

By the time they reached the center of the village, the lane was full of them. White paper tied to door handles. White cloth looped around stone posts. White flowers made from tissue and wire trembling in the rain. It did not look like one household in mourning.

It looked like the entire village had died politely and was waiting to be buried.

The van stopped before a set of stone steps.

At the top stood the house from the photograph.

The Xu ancestral home was larger than Elaine had imagined and darker than the rain should have allowed. Its roof curved upward at the corners like something showing teeth. White mourning cloth draped from the beams in swollen folds. Two lanterns hung beside the entrance, unlit, their paper skins stained brown with age.

The front doors were open.

Beyond them, Elaine saw only darkness.

The driver did not get out.

“This is as far as I go.”

Elaine glanced at him. “You can drive up closer.”

“No.”

“It’s raining.”

“No.”

She waited for him to smile, to show he was joking. He did not.

Elaine paid him in cash. When she reached for her suitcase, he touched her wrist.

His fingers were cold.

“Miss Xu,” he said, and now his voice had changed. It was lower, careful. “When you go inside, they will ask you to do many things. Burn incense. Bow. Eat rice. Call names.”

Elaine pulled her wrist free. “Are you trying to scare me?”

“I am trying not to be involved.”

The words landed harder than they should have.

He looked toward the open doors. The beads hanging from his mirror clicked softly though the van had stopped moving.

“If they ask you to cry,” he said, “make sure you know who you are crying for.”

Elaine’s stomach went cold.

“What did you say?”

But the driver was already reaching across her to pull the passenger door open.

Rain rushed in.

“Go,” he said.

She stepped out.

The van reversed before she had fully lifted her suitcase from the mud. Its tires slipped, caught, and spun away down the lane. Elaine stood alone at the foot of the steps, rain needling her face, suitcase handle slick beneath her palm.

From somewhere inside the house came the smell of incense.

Beneath it was another smell. Sour rice. Wet wood. Something metallic and old.

Elaine climbed.

On the third step, a memory struck her so suddenly she almost missed her footing: small hands, her own, pressed together around three sticks of incense. Her mother’s voice behind her, whispering, Don’t look up. If you look up, they will know you can see them.

Elaine blinked hard.

She was twenty-seven. She had a Canadian passport in her bag and a master’s degree and rent due next week. Houses did not eat grief. Dead women did not leave voice messages. Childhood memories were unreliable, especially when soaked in jet lag and family guilt.

At the top of the steps, she stopped.

The white cloth over the entrance was not plain.

Someone had written on it.

At first the rain made the characters difficult to read. Elaine had to lean closer, wiping water from her lashes. Her Chinese reading had always been slow, half memory and half guesswork, but these characters were simple.

Too simple.

Xu Lan.

Her Chinese name.

Not Mei Xu. Not her mother’s name.

Hers.

Below it, in smaller characters, someone had written a date.

Elaine knew enough to understand the format.

Born: April 3.

Died: Seventh night.

The house creaked.

Not from wind.

From inside, a woman began to cry.

Elaine turned so quickly her suitcase fell against her leg. The lane behind her was empty. Rain blurred the village into gray shapes. No driver. No villagers. No one watching from windows.

The crying came again.

Closer this time.

It was not inside the house.

It was behind her.

Elaine froze.

A breath touched the back of her neck, cold despite the humid rain.

Then a voice, thin and intimate, whispered in her mother’s accent:

“Lanlan, you came back too late.”

Elaine spun around.

No one stood there.

Only the open doorway.

Only the dark hall beyond it.

Only the red cloth inside, shifting slightly though there was no wind.

Then, from deep within the ancestral house, many voices spoke together.

“Daughter has returned.”

A bell rang once.

And all the lanterns lit by themselves.

Subscribe to JinSu to continue reading.