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The Admirals Atlantean

All Rights Reserved ©

Summary

She was pulled from the Carolina Sound in 1864 with no ship, no crew, and no explanation. Admiral David Dixon Porter should have handed her to the surgeons and forgotten her. He didn’t. Now a Confederate commander believes she is the weapon that wins the war at sea, something capable of sinking the entire Union blockade fleet if he can just break whatever is holding her back. He has been hunting her since before Porter found her. He will not stop. What Ravenel doesn’t know is that he’s wrong about what she is. And by the time he learns the truth, breaking her may destroy everything he was trying to save. The Admiral’s Atlantean is a Civil War paranormal romance set on the Carolina coast, 1864–1865: a Union admiral who filed reports on everything, an Atlantean woman who exists in none of them, and the Confederate commander who hunted them both to Fort Fisher. History records what Porter allowed it to record. History does not record Mara.

Status
Complete
Chapters
64
Rating
5.0 (2 reviews)
Age Rating
18+

The Warning

CHAPTER 1 —

MARA POV

The water had warned Mara.

She felt it three minutes before the ship appeared — a pressure change moving through the Sound like a held breath releasing, the current shifting in the way it only shifted when something large and wrong was coming from the north.

She had learned to read those warnings the way a surface-dweller read weather.

Not from instinct alone — from training, from the years Cael had spent teaching her that the water spoke before events arrived, that the sea was never silent to those who knew how to listen. A guardian who ignored the water’s warnings was a guardian who did not come home.

She had learned young. She had never ignored one.

She ignored this one.

The retrieval was almost complete.

The object she had been sent for lay twelve feet below the waterline, wedged between two barnacled pilings of a sunken dock that the war had claimed six months ago.

She could feel it the way she could feel everything in the water around her — its weight, its age, the particular stillness that told her it had been made below rather than above.

Atlantean-made things had a quality in surface water that nothing made above the waterline had — a density, an otherness, the sense of something that did not belong to this medium and knew it.

This object had been in the Sound long enough to be coated in the particular accumulation of surface water — barnacles on the dock pilings had begun to grow on it at the edges, which meant months, which meant it had drifted further and longer than anyone in Atlantis had known when they sent her.

It had drifted too close to the surface world. That was why she had been sent. That was why she had come.

She had the object almost free. Another thirty seconds and she would have it in her hands and she would go deep and the warning pressure moving through the Sound would resolve into whatever it was going to resolve into without her in the path of it.

She should have surfaced when the warning came.

She should have abandoned the retrieval, let the object wait another day, come back when the water was clear. C

ael had taught her that too — that the mission was secondary to the guardian, that a guardian who did not return was a guardian who could not complete any mission, that patience was the first and most important quality of anyone sent to the surface.

She had been patient for two weeks.

The object had been here for months. Another day would not have broken anything.

She didn’t surface.

She didn’t wait.

She told herself it was because the object was almost free, because thirty seconds was nothing, because the warning might resolve into something that passed without reaching her position. She told herself these things and finished the retrieval and did not examine too carefully whether the real reason was simpler and less defensible than any of them.

She had been on the surface for two weeks and she wanted to go home. She wanted the retrieval complete.

She wanted to be done.

Two weeks was the longest she had been above the waterline and the surface had done what the surface always did to guardians who stayed too long — not damaged her, not weakened the connection, but worn on her in the specific way that a world not designed for you wore on you.

The light was different.

The air was different.

The sounds were different in a way that was interesting for the first three days and exhausting by the end of the second week.

She missed the particular quality of deep water silence, the way sound moved at depth, the blue-green phosphorescence of the old stone sections of Atlantis that she had been taking for granted her entire life and had not understood she was taking for granted until she was without it.

Thirty seconds. She would have the object in thirty seconds and then she would go home.

The ship came around the southern headland at speed, running without lights in the way that meant its captain knew exactly where he was going and had no intention of announcing his arrival. Mara surfaced just enough to see it — a Confederate raider, low and fast, the kind of vessel built for Carolina coastal waters where the Union blockade sat heavy on the larger channels.

Shallow draft, no colors flying, moving with the particular economy of a ship that had done this before and expected to do it again.

It was moving directly toward her position. Not toward the general area. Toward her specifically.

She went still in the water.

There was a difference between a vessel moving through a general area and a vessel moving toward a specific point.

She had been trained to read that difference the way she read everything — in the pattern of it, in the quality of the movement, in the particular certainty of a heading that did not waver or adjust for anything because it did not need to adjust.

A vessel searching moved differently than a vessel arriving. This vessel was arriving.

Someone had told them where she would be.

She went under immediately, pulling the object free from the pilings in the same motion, tucking it against her body. She pushed south, staying close to the bottom where the water was darkest, moving fast.

The raider’s hull passed overhead — she felt the vibration of its engines through her chest, the particular mechanical rhythm of a vessel running hard — and then it stopped. Directly above her.

They knew she was below them.

That was not possible unless someone had told them not just where she would surface but how she moved, how she thought, that she would go deep rather than run along the surface. Someone who knew her patterns.

Someone who had spent years learning the way she moved through water and had given that knowledge to a man she had been briefed on before the mission, a name she had filed as a threat and not expected to become this specific a threat this quickly.

Ravenel.

She knew his name from the pattern of the weighted lines that dropped into the water on her left and then her right — she had been briefed on his methods, the triangulation approach, the particular systematic quality of a hunter who did not waste motion.

The lines moved the way Ravenel’s lines were described to move. Precise. Patient.

The work of someone who had done this before and was certain he was going to do it successfully.

She had been briefed on him as a contingency — the Confederate raider who had been asking questions about things that did not belong to the surface world, who had been collecting accounts from sailors who had seen things in the Atlantic they could not explain, who had built something from those accounts that came close enough to the truth to be dangerous.

She had not expected him to be this close to the truth this quickly.

She had not expected him to know where she would be.

She did not let herself think about who had told him.

Not yet. Not with ninety seconds before they had her exact location and a decision to make that she had trained for but never executed in open water with real stakes and real consequences.

She thought about the object pressed against her chest.

She thought about what it meant if Ravenel took it. Not just the object itself — what it connected to, what it anchored, what removing it from the network would begin to do to the structure that had held for longer than the surface world had been keeping records.

She thought about what it meant for the seal.

She thought about what Cael had taught her about the consequences of a broken thread and she thought about the question of who had known where she would be and she pushed that thought down into a place she was not going to look at until she was somewhere that was not directly below a Confederate raider triangulating her position.

Seventy seconds.

She had trained for this.

All guardians trained for it — the full release, the opening of the channel not to the careful controlled degree of ordinary use but to the full extent of what it could carry.

Her teachers had shown her the pattern once because they only needed to show her once and because showing it more than once carried its own risks.

What she could do to the water around a ship was not subtle.

It was not controlled. It was the difference between lighting a candle and setting a room on fire.

She had never done it in open water.

She had never done it at all outside of training conditions where the consequences were managed and the cost was measured and there was always someone there to help her back to herself afterward.

Training was a controlled burn in a contained space.

This was neither controlled nor contained and there was no one here and she did not know what it was going to cost her and she was going to do it anyway because the alternative was Ravenel taking the object and she was not going to let Ravenel take the object.

Fifty seconds.

She thought about the cost one more time. Acknowledged it. Set it aside.

Then she released the current.

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Enjoy The Story

a month
author

When I read the summary, I immediately got curious because I’m actually a big fan of novels and movies that involve the past. So I really wanted to see where this story would take me.

And honestly, I’ve already fallen in love with the way you write. I can literally picture everything in my head like I’m watching a movie because your descriptions are SO good.

I feel like this might be one of those novels that’s a little heavy for me, though. Because while reading it, my imagination goes WILD. AHAHAHA. But honestly, I really love that about your writing!

a month
1

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