The Missing Piece
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The Missing Piece

This story contains themes of: violent death

All Rights Reserved ©

Story Notes

The Missing Piece is the first novel in a planned psychological-supernatural horror series built around a simple question: What happens when the way you understand danger becomes dangerous itself?

This story lives in the space between evidence and interpretation, certainty and assumption, and the things families know about one another versus the things they only think they know.

Pay attention to the small things. They usually matter.

The story is complete. The larger story is not.

Summary

Eight-year-old Evan sees a man standing beneath the oak tree in his family's new backyard. The cameras see nothing. Claire Hale believes there is an explanation for everything. So when keys begin moving, voices come from empty rooms, and impossible details start appearing around their new home, she does what she trusts most. She documents everything. Every photograph. Every timestamp. Every inconsistency. At first, Claire wants to prove that her family isn't imagining what's happening. Then she discovers the house has a history. And someone has been watching families like hers for a very long time. The deeper Claire digs, the less certain she becomes of the one thing she trusted from the beginning: the evidence. Because something is wrong with this house. But the most dangerous thing inside it may not be what Claire thinks.

Genre
Horror
Author
Lionborn
Status
Complete
Chapters
43
Rating
n/a
Age Rating
18+

Chapter 1

Mara waits until the tires stop crunching over gravel before she says, “This is the most Mom house I’ve ever seen.”

Daniel hasn’t even put the car in park.

I turn around. “I’m not sure whether I should be offended.”

“You should.”

“What exactly makes a house a Mom house?”

She gestures through the windshield as if the evidence should be obvious. “It’s old. It’s white. It has those little black things next to the windows.”

“Shutters?”

“Whatever.”

Daniel puts the car in park. “Compelling architectural analysis.”

“Thank you,” Mara says.

“I was talking to your mother.”

Mara rolls her eyes, and I look at the house again. She isn’t wrong.

The driveway curves just enough that the house reveals itself gradually, first the second-floor windows through the trees, then the porch, then the whole white Colonial sitting above a broad green lawn. Four square columns hold the porch roof. Black shutters frame the windows. The front door is dark blue, although I have already decided it won’t stay that way.

The proportions are almost irritatingly good. Everything sits where it should.

“I love it,” I say.

“Obviously,” Mara says.

Daniel laughs. I turn toward him and catch something in his face before the smile covers it. His shoulders have dropped.

For weeks, he has carried them slightly too high. This morning they were practically touching his ears.

We made it here.

Daniel reaches across the console and squeezes my knee. “Still time to back out.”

“No, there isn’t.”

“Technically, no.”

“Then why would you say that?”

“Wanted to see if you’d panic.”

“I save that for after major financial decisions.”

His thumb stops against my knee. Barely. Then it moves again.

I notice. And because this is supposed to be a beginning, I let half a second remain half a second.

A seat belt snaps loose behind us.

“Can I pick my room?” Evan asks.

“No,” Mara says.

He glares at her. “You’re not Mom.”

“I’m saving her time.”

Evan leans between the seats. “Can I?”

“You can look,” I tell him.

“That means yes.”

“It absolutely does not.”

He is out of the car before I finish.

“Evan.”

“I’m looking!”

Daniel watches him sprint toward the porch. “Good listening skills.”

“Genetic.”

“Your side?”

“Obviously.”

Mara groans and climbs out. I reach for my door, but Daniel catches my hand.

“Claire.”

“We’re going to be okay here.”

The thread is there if I want to pull it. I squeeze his hand instead.

“Yeah,” I say. “We are.”

For once, I would like believing something to be enough.

By noon, the house has swallowed half our belongings and somehow still looks empty. I love it more.

The foyer opens into a wide center hall with the staircase rising along the right wall. The original floors are scratched and faded in the places people must have walked most often.

Daniel has suggested refinishing them twice. I have threatened divorce twice.

The scratches stay. A house should be allowed to admit that other people have lived in it.

From the kitchen, tall rear windows frame most of the backyard. The front of the property is orderly. The backyard isn’t.

It stretches toward a line of woods, interrupted by one enormous oak standing alone in the grass. Sunlight filters through the leaves in shifting patches.

I stop with a stack of plates in my hands.

A round table beneath it. Maybe lights running from the lower branches. Summer dinners. Evan chasing something through the grass. Mara coming home from wherever eighteen eventually takes her and pretending she hasn’t missed us. Daniel complaining about leaves every October until we’re too old to rake them ourselves.

It is ridiculous how quickly an empty yard can become a future.

The oak stays. Whatever else I change, I know that immediately.

Daniel passes behind me carrying a box. “No.”

I turn. “What?”

“I know that look.”

“What look?”

“You’re redesigning something.”

“I’m appreciating the tree.”

“You don’t appreciate. You plan.”

“That’s insulting.”

“You’ve been here three hours and mentally renovated six rooms.”

“Five.”

He points at me. “See?”

Something crashes upstairs.

Daniel closes his eyes. “That sounded expensive.”

“That sounded like your son.”

“Our son when he scores a touchdown. Your son when something breaks.”

Another thud.

“Still yours.”

He drops the box on the island and heads upstairs. I keep unpacking.

Coffee maker beside the refrigerator. Cutting boards beside the stove. Mail tray at the far end of the counter, where Daniel will ignore it despite agreeing that this is exactly where mail belongs.

The small ceramic dish goes on the narrow table beside the front door.

Keys always go there.

I place it between the lamp and the edge of the table, then shift it half an inch left.

Centered. Better.

“You know we’re going to live here, right?”

I turn. Mara stands behind me holding a box.

“I was hoping.”

“Then why are you arranging stuff nobody cares about?”

“I care.”

“Exactly.”

She starts toward the stairs.

“Where are you taking that?”

“My room.”

“That says kitchen.”

Mara looks down. KITCHEN is written across the side in thick black marker. She looks back at me.

“I knew that.”

“Of course.”

She carries it over and sets it on the floor. For all her complaining, she has been helping all morning.

“Hey.”

She stops.

“I know you didn’t want to move.”

Her expression tightens. “I said it’s fine.”

“Fine and happy aren’t the same thing.”

“Neither are annoying and helpful, but here we are.”

That one gets me. I smile.

“I just want you to give it a chance.”

Mara looks past me toward the rear windows. “The backyard’s nice.”

Then she disappears upstairs before I can answer.

I let her. With Mara, sometimes acknowledging progress is the quickest way to make her take it back.

By late afternoon, pizza boxes occupy the kitchen island. Evan eats two slices and claims a third before Daniel finishes his first. Mara sits on the counter despite being told twice not to.

Daniel lets her.

Evan announces that his bedroom is the biggest.

“It isn’t,” Mara says.

“You haven’t measured.”

“I have eyes.”

“Mom said I could pick.”

“I said you could look,” I remind him.

“Same thing.”

Daniel points his pizza at me. “This is why contracts need to be in writing.”

“Don’t start.”

Mara laughs. It’s small and immediate, gone almost as soon as it arrives.

Daniel hears it too. Our eyes meet across the island.

I picture another dinner here six months from now. No boxes. No negotiations over bedrooms. Nobody measuring every sentence before deciding whether it is safe.

Just dinner.

For a few minutes, we already have it.

The movers leave just before 6:00 PM. Daniel walks them out while Mara disappears upstairs.

Evan wanders through the first floor looking for something he says is important but cannot describe beyond “the blue thing.”

I gather the pizza boxes. On my way toward the kitchen, I pass the foyer and stop.

The ceramic dish has moved.

Not far. Three, maybe four inches, toward the side of the table nearest the stack of boxes Daniel carried in earlier.

I look at the boxes, then at the dish.

Daniel probably clipped the table with one. Simple.

I slide the dish back to the center. My hand stays on it for a second.

There is a faint streak of dust where it had been sitting before I moved it the first time. I wipe it away with my thumb.

“Mom?”

Evan’s voice comes from the family room.

“Yeah?”

“Who’s that man?”

I flatten the top pizza box against the others. “What man?”

“The one outside.”

I walk toward him. He is standing at the rear window.

“Probably one of the movers.”

“They left.”

“Then maybe a neighbor.”

“No.”

I reach him and follow the direction of his stare.

The yard is empty.

Late sunlight cuts across the grass. Beyond it, the oak stands exactly where it did this morning, its shadow stretching toward the house.

“There’s nobody there, bud.”

“There was.”

“What was he doing?”

Evan keeps looking outside. “Nothing.”

I wait. He presses one finger against the glass.

“He was just standing there.”

“Where?”

“Under our tree.”

I look again. Nothing moves beneath the oak.

“Maybe he was walking through.”

Evan shakes his head. “He wasn’t walking.”

Something about the certainty in his voice makes me look at him instead of the yard.

“What was he doing?”

Evan finally turns to me.

“Looking at the house.”

I look through the window one more time.

There is no one there. Only the oak, the empty grass, and our reflection in the glass.

For one stupid second, I count the figures reflected back at me.

Four.

Just us.

Let Lionborn know what you thought about this chapter!

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