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Summary

When two grieving strangers become Elia's only safe place, they'll do anything to keep her from the family that wants her inheritance. Elena and Adrian agree to a six-month marriage—a contract built to protect a little girl. But as Elia begins calling them Mama and Dada, the lines between pretending and reality slowly disappear. They married for her. They stayed for each other.

Genre
Romance
Author
Lysa
Status
Complete
Chapters
26
Rating
5.0 (1 review)
Age Rating
16+

The Call at 2:14

The phone rang at 2:14 in the morning, and Elena knew before she answered.

Nobody calls with good news at that hour. She knew it the way you know a stair is missing in the dark, with a lurch in the body that comes before the mind catches up. She lay very still through two rings, her heart slamming against her ribs, staring at an unfamiliar number on the screen, and a small, cowardly part of her whispered that if she didn’t pick up, it wouldn’t be true yet.

She picked up.

ā€œIs this Elena Marsh? I’m so sorry to call you like this. There has been an accident.ā€

Later she would remember only fragments. The streetlight laying a pale stripe across her bedspread. The word unsurvivable, set down carefully by the man on the line, as though it might break. The hospital corridor that smelled of bleach and burnt coffee, and a nurse with tired, gentle eyes who touched her arm and said, ā€œYour niece wasn’t in the car. She’s with a neighbor. She’s safe.ā€

Safe.The word meant nothing to her. Her sister lay on the other side of a door, and safe belonged to a world that had just ended.

They let her see Sofia for two minutes. Sofia looked like herself, only still, stiller than she had ever been in thirty-one years of being loud and warm and impossible to ignore. Elena took her hand and found it cold. She said,you have to wake up, Elia needs you, I need you, and the nurse waited by the door with her eyes lowered, because there was nothing left to say that she hadn’t already said to a hundred other families.

At four in the morning, Elena stood in a neighbor’s kitchen in yesterday’s sweatshirt, and a small, warm bundle was placed in her arms.

Elia had been sleeping. She woke slowly, blinking, her round cheeks creased from the pillow and her soft chestnut curls flattened on one side. Her blue-green eyes, ringed with gold and far too large for her small face, drifted over the strange kitchen and settled on Elena.

ā€œLena,ā€ she said, drowsy and pleased. Then her forehead puckered, because the room was wrong, the light was wrong, and the person who should have been there was not.

ā€œMama?ā€

Elena had rehearsed nothing, because there was nothing to rehearse. She pressed her lips to the child’s hair and breathed in baby shampoo and warm skin.

ā€œShh,ā€ she whispered. ā€œI’ve got you.ā€

It was the first thing she told her, and it was the only thing that was true.


By the day of the funeral, Elia had asked for her mother more times than Elena could count. She asked at breakfast and in the bath. She stood at the front window with both small hands flat against the glass, watching every car that turned onto the street, and said, ā€œMama come?ā€ in a voice so full of hope that Elena had to leave the room.

She could not understand. She was two years and two months old, and her whole short life had taught her that doors opened and Mama’s face appeared and the world was right again. A door that stayed shut was something she had no word for.

The funeral home smelled of lilies and floor polish, and Elena already hated both.

She stood at the back with Elia on her hip, because no one had found a way to quiet the child unless someone was holding her. Her black dress was borrowed, her eyes were swollen, and her hands would not stop shaking. At the front of the room, two coffins stood side by side, surrounded by white flowers. One held Sofia, who had taught her to ride a bike and to lie convincingly to their mother. The other held Daniel, Sofia’s husband, whom Elena had liked more than she had ever admitted.

People came to her in a slow, murmuring line. They pressed her hands and said so young and such a tragedy and call us if you need anything, and she thanked each of them while understanding that none of them meant it, because none of them could know what she needed. She needed her sister, and nobody was offering that.

Then the music stopped, and the silence that followed was worse than the music had been.

Into that silence, from the small body on her hip, came a voice that was clear and bright and completely bewildered.

ā€œMama?ā€

Heads turned. A woman near the front pressed a tissue to her mouth.

ā€œMama?ā€ Elia said again. She was looking at the front of the room, at the flowers and the polished wood and the photograph of Sofia laughing in a yellow sundress, propped on an easel. She knew that face better than any other in the world. She lifted one chubby finger and pointed. ā€œMama.Mama."

ā€œYes, baby,ā€ Elena whispered. Her throat had nearly closed. ā€œThat’s Mama.ā€

ā€œMama come?ā€

ā€œNo, sweetheart.ā€

Elia studied her. Her lower lip began to tremble. Then, with great care, she held out her worn stuffed rabbit toward the front of the room with both hands, the way she offered it to her mother every night before sleep.Here. For you. Hold him.

ā€œBun,ā€ she said. ā€œMama. Bun.ā€

Somewhere behind them, someone began to cry out loud.

Elena felt her knees give. She thought,I can’t do this. I’m not her mother. I’m the sister who didn’t call back.But at that moment Elia looked up and saw her face, and she let the rabbit fall against Elena’s collarbone and laid one small, damp palm against her cheek.

ā€œLena,ā€ she said gravely. ā€œNo cry.ā€

It was the cruelest and the tenderest thing anyone had ever said to her. Elena pressed her face into the child’s curls and wept.


That night she sat on the floor of her sister’s closet with Sofia’s lavender cardigan in her lap.

Elia had finally fallen asleep in the next room, flushed and hiccuping in her dreams, the rabbit tucked beneath her left arm. Elena had checked her breathing four times before leaving. Now she sat in the dark with her phone in her hand, because there was one thing she had put off for five days, and she could not put it off any longer.

She pressed play.

ā€œHey, it’s me.ā€Sofia’s voice came out bright and slightly breathless, the voice of someone walking and juggling groceries.ā€œCall me when you can. It’s nothing urgent. Elia said her first full sentence today, and I just had to tell you. She pointed at the dog next door and said ā€˜big dog, Mama,’ and I cried in the grocery store like an idiot. Anyway. Love you. Call me back. Bye. Bye. Okay, bye.ā€

The recording ended, and the silence rang.

It’s nothing urgent.She had been tired that Thursday. She had thought,tomorrow, and put the phone face down on the counter, and gone to bed.

She played it again, and then again. By the fifth time she was no longer hearing the words, only the sound of her sister’s voice: the laugh underneath it, and the way she said bye three times because she never could end a call. Elena pressed the cardigan to her face. It smelled of lavender hand cream and the faint sweetness of Sofia’s skin, and she wept until her ribs ached, without making a sound, because a sleeping toddler lay on the other side of the wall who had already lost one person she couldn’t reach.

When the sobs finally eased, she heard a thin, uncertain whimper through the wall.

ā€œMama?ā€

Elena wiped her face on the cardigan sleeve and got to her feet. She walked down the hall on legs that did not feel like hers and pushed open the door. Elia was standing in her crib in the glow of the night-light, hair on end, rabbit dangling from one fist, her arms stretched up.

ā€œMama.ā€

ā€œI know,ā€ Elena said. ā€œI know, baby.ā€

She lifted her. Elia’s body was hot and damp with sleep, and she pressed her whole face into Elena’s neck and went limp with exhaustion, her fingers winding tightly into Elena’s hair, as though it were the last rope on a sinking ship.

Elena lowered herself into the rocking chair that still held the curve of her sister’s body, and she did not correct the word. She couldn’t. Whatever else it meant, in this room, in this dark,Mamadid not mean the woman who gave you life. It meant the one who is here.

ā€œMama’s got you,ā€ she whispered. The lie from the kitchen had turned into something else in her mouth, something very close to a vow.

She did not see the tall figure in the doorway.

Adrian Cole had come to drop off a folder from the lawyer. He had let himself in with the spare key, found the house dark and silent, and followed the sound of a woman’s quiet weeping down the hall. He stood just beyond the door, in a charcoal suit he hadn’t taken off in two days, with a stubborn lock of dark hair fallen over his forehead and a face that had not slept since the call. He had meant to knock.

He looked at the woman in the chair, at the small curly head tucked beneath her chin, at the rabbit swaying by one ear in time with her rocking. He had lost his brother with their last words still unsaid, and he knew exactly what he was seeing. It wasn’t a stranger, and it wasn’t a threat. It was someone breaking apart in the dark, silently, so a child wouldn’t have to watch.

His hands closed into fists at his sides, and slowly opened.

He did not go in. He didn’t know how to walk into a room like that without making it worse. He set the folder down on the hall table and stood a moment longer with his hand over his mouth, listening to the creak of the chair and a woman’s voice humming a lullaby she barely remembered.

Then he left as quietly as he had come, and stood on the porch in the cold, and for the first time since the call, he let himself cry.



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