CHAPTER 1
It sucked being on the red carpet again. It may seem exciting on T.V., but in real life it’s a drag. It’s always at the end of the day, your feet are hurting and you just want to go home but no, you’re in a scrum down. And you’re not even guaranteed the “talent” is going to talk to you unless you’re “Entertainment Tonight” or “Access Hollywood” or some other high-power purveyor of poop, which Renny Aucoin was not. Instead he was a low-power purveyor of poop, writing for Wonderwall, MSN. Could be worse, he thought, could be August and 100 degrees and sickening with the smell of perfume and sweat. Mercifully it was March and pissing rain instead.
He hadn’t done a red carpet in years, but the damn intern didn’t show up, and his editor threw it at him. What could he say? The venue was 6925 Hollywood Boulevard, the Chinese, Sid Grauman, 1926, principal architect Raymond M. Kennedy of Meyer & Holler. A quintessential movie palace from the golden age, this kitschy Chinese deco gem is upstaged only by its famous courtyard featuring an endless array of handprints dating from Mary Pickford and Douglas Fairbanks through C-P3O, whose imprint had to be reworked after Regis Philbin stepped in the still-wet cement during a broadcast.
Renny knew all this on account of his life-long love affair with movies. Since childhood they represented an aspirational universe, a shining city on the hill, and Old Hollywood was the Garden of Eden. He quoted movies the way others quoted scripture, and the Chinese Theater was his Vatican.
“Grand Hotel,” “King Kong,” “The Wizard of Oz,” “Shane,” “West Side Story,” “Star Wars,” just some of the classics that premiered at the illustrious venue. And tonight, amid a deluge of biblical proportions soaking sad-sack journos and fans deranged enough to endure it for a glimpse at the C-list, “She’s Not in My League,” a hapless piece of shit rom-com, will be added to that venerable list because that’s Hollywood in 2010.
The new movie starred Jay Burkle, Caroline Ritter, Tommy Milner, and the ever-delectable Alice Eve who, in Renny’s opinion, was perfect in every way. Inevitably at events like this the young cast bonded, insouciantly hip, cracking wise to cameras like they’re the Beatles. It’s either kind of cute, cause they’re making the best of the moment, or sad because they’ve seen the tracking.
An explosion of flashbulbs turned Renny’s head as Burkle and Milner arrived at the photo line. Photographers yelled for their attention amid bursts of light as they stood for as long as they had to. Moments later they emerged into the last crush of journos in the courtyard, hallowed handprints underfoot.
“Jay! Jay!” a round woman in a red dress next to Renny was shouting. Burkle was the face of the film. Before “She’s Not in My League” he’d only played second banana. A lucky shot at the lead meant riding this pony as far as it would take him, which meant accommodating and adoring the press. But no more than 30 seconds per journo, according to his handlers. Keep it brief and stick to the basics:
“Great. He’s a genius. Awesome. Brilliant. So great. Blessed,” he recited.
“Jay, what drew you to this role?” It was the kind of thing that passed for a question on the red carpet.
“The script. Sean Anderson and Don Morrison are geniuses. I just feel so blessed, really.”
“We have to go,” the flak, a nervous woman with messy hair, swept in and that was that. The crowd, the rain, the jostling and stupid questions, all so he could get that plangent nugget of wisdom from the internationally renowned Jay Burkle. Alice Eve wasn’t there, lucky dear. She was filming in London. Milner had already skipped past, through the doors and into the lobby. Clearly it was time to pack it in.
But suddenly a ruckus erupted down the carpet, and the photographers started going berserk, flashbulbs, shouting. “Bonita! Over here!” “Hey Bonita!” “Te quiero!” It swelled into a wave and kept on swelling – Bonita Juh-Tem had arrived, singer of “More Love,” the hit single off her debut album “Love.” It’s shit, but she’s hot, and she knows that can go away real fast, so she’s everywhere all at once. She attempted to slip demurely passed the photographers wearing only heels, fishnets, a white leather bikini bottom, and a white chinchilla mid-riff with matching hat.
She posed, turning to the right, left and middle, shifting her weight on goddess hips, flashing peace signs, then herded along by handlers.
“Bonita! It’s Angela from the ’The Dallas Morning News!” a woman in the crowd yelled. The publicists tried to keep moving, but Bonita is from Dallas and, as she loves to says, has a soft spot in her heart for the Lone Star State.
“’Sup, Angela?” she asked, as if they were old friends.
Angela, a plump woman in her fifties squeezed into a teal and black gown was ecstatic. “Oh my God, you look amazing tonight!”
“Why thank you,” Bonita smiled warmly.
“So you’ve just wrapped up your first world tour for the album, amazing reception everywhere. How does it feel?”
“It feels awesome. The fans have been so awesome. And everyone seems to like the music, so I feel blessed,” her T.V. voice flowed from her T.V. face.
“And you’re starring in a movie this summer,” Angela invited a plug.
“That’s right. I’m starring in ‘You Again,’ with Bryan Reynolds,” Bonita plugged. “It’s gonna be awesome.”
“Who do you play?”
“Well, I’m not allowed to say too much, but I’m like this girl that works with animals. And I meet this guy, played by Bryan, who is so awesome. He’s a genius. But then it gets complicated. And Gena Malone is in it.”
“It sounds amazing,” Angela fawned.
“We have to go,” the publicist interjected.
“Peace out, everyone, and remember to download ‘Love’ on iTunes, and see ‘You Again’ this summer! I love you!” she shouted to no one in particular, then gave the peace sign and began to float away atop her stratospheric heels.
But suddenly something shiny buzzed through the air, slicing a path like an assassin’s blade, only less lethal. It harmlessly tapped her on her fur hat then fell to the carpet at the base of Bonita’s towering heel, (which later researched revealed to have been designed by Frank Gehry). She froze, stunned, then scanned the crowd. Her eyes landed on Renny, who looked down at the object as it rolled to a rest – a CD, Doris Day’s 1956 album “Day By Day” including Gershwin’s “If Not For You.”
Bonita, mouth agape, perched atop her Gehrys, fishnets splayed, stared at the disc as if to say, “Who the fuck is Doris Day?” Next there was pushing and shoving behind Renny as three women in green hoodies and black facemasks bounded over the barricade separating journos from civilians.
“Meat is murder!” shouted one of them.
And then, right in Renny’s ear, “Fur is dead!”
Bonita froze like a giant chinchilla in the hunter’s scope.
“Shame on you!” a protestor reached into her pocket just as two burly guys in suits pounced, violently pinning her to the ground next to the handprints of Marilyn Monroe and Jane Russell. The other two protestors disappeared back over the barricade into the rain as journos recoiled en masse. Photographers broke from their pen, rushing down the carpet toward the action. A tsunami of flashbulbs strobed the scene as Bonita, still frozen atop her Gehrys, was swept up by a phalanx of handlers and hustled into the Chinese.
On the carpet, the two goons dragged the woman to her feet. The strobing of the flashbulbs made it impossible to see her face, but Renny caught a glimpse of a nose stud with a symbol on it: an “A” and a “V” superimposed on top of each other in a circle. They escorted her away, a line of guards turning the cameras back to the red carpet.
“What happened?”
Renny turned to find himself bathed in a glaring light mounted atop of one of E! Entertainment’s cameras. A beautiful woman, Tabitha somebody, stood next to it, staring earnestly.
“Uh, she was protesting fur or something, cause Bonita Juh-Tem was wearing a fur coat and hat and uh…” it suddenly occurred to Renny he was on T.V. and, oh yeah, he’s a journalist, and something unexpected happened. Something called news. If he got his shit together and sounded somewhat professional, he could be the face of the story. “So, I believe I heard her say ’Meat is murder, Tabitha,” said Renny, straightening his hair and stiffening his spine.
“My name’s Maria. Can we do it again?”
“Sure.” He waited, unsure. “So, now?”
“Anytime.”
“So I believe she said, ‘Meat is murder,’ Maria. But it was only as she bulldozed her way through here and reached into her pocket – ”
“Was she armed?”
“Not that I could see.”
“Was Bonita Juh-Tem harmed in any way?”
“Not that I could see.”
“Did you get a look at the assailants?”
“Judging by their voices, they were definitely women. But they were wearing masks and hoodies, so you couldn’t really see,” Renny realized how useless he was sounding. The moment was slipping from him as he searched for something relevant to say, something that would get him on the six o’clock news.
“No, I saw a lot. I saw…” he paused, organizing his thoughts. “I saw…” What did he see? The nose stud! “I saaaawww…” he was going blank, brain shutting down. What the hell was going on? The bright lights grew dim, commotion and noise around him, he was falling, dropping off the face of the earth. Out cold before he hit the sidewalk, the last thing he saw was John Barrymore’s imprint with the words, “The Great Profile,” scrawled in the cement.
