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The Keeping

All Rights Reserved ©

Summary

Ten dark tales about what people keep, and what it costs to keep it. A gardener plants a bloom for everyone she has ever loved. A mother keeps the child the village swears is not hers. Every winter, a village leaves a bride at the tree line. A widow takes sword lessons from the man who killed her husband. A valley is real only as long as it is counted. A coach carries sixty years of a town's grief, one lamp at a time. A woman whose kiss kills is called Sweetbane, and the town means it kindly. A town tells time by the widow's window. A mender who works only on what he broke is handed a thing that is not broken, and told to mend it whole. The last two speakers of a dying language live across a gorge, one withheld word between them. Each tale stands alone; read them in any order. Together they keep one ledger: the debts we carry, the doors we bar, the fires we tend, the names we refuse to set down. What holding on costs. And who pays. Dark fantasy and folk horror, with love at the marrow. By Faelar. (Published by R.E. Evernight.)

Status
2mo ago
Chapters
13
Rating
5.0 (1 review)
Age Rating
16+

Tale 1 - The Garden of Falling Names

The gardener plants a bloom for everyone she has ever loved.

Not for memory. For keeping.

The rose is Mother, and the lavender row is the boy who taught her to swim, and the moonflowers are her father, who left before she could hold a grudge properly. Every name she ever carried goes into the soil, and the soil takes it gladly, and the garden is the most beautiful thing in the valley.

Strangers walk the path. They weep. They say it must be a comfort, keeping them all alive like this. She agrees. The blooms never argue, never age, never leave.

The falling starts on a Tuesday.

A single petal from Mother’s rose, lying on the path like a dropped coin. She picks it up, presses it between the pages of a book she never opens. Thinks nothing of it. The next week the whole rose bows its head, and when she touches it, the name behind it goes quiet inside her. Not forgotten. Worse. Remembered the way you remember a word you no longer use. She knows she loved her mother. She cannot feel it anymore.

So she plants faster.

Every new person who comes near her, every hand that touches hers, becomes a seed. It is not cruelty. It is arithmetic. The only way she knows to keep someone is to put them in the ground before they can leave. And they do thrive. The garden is the envy of the valley. The blooms are radiant, untroubled, perfect.

The valley does not know what the soil is made of. That is the trick of it.

One evening a stranger stops at the gate, a girl with dirt under her nails, and asks whether the gardener is ever lonely, surrounded by so much beauty.

The gardener looks at the rows of silent blossoms. Mother. The swimmer. The one who broke her heart, blooming brighter than all the rest, because she loved him hardest.

“No,” she says. “The garden is full.”

That night, alone, she kneels in the dark and plants a new seed.

The name she whispers is her own.

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