His Obsession
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His Obsession

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Sinopsis

Damon Cruz is the undisputed star of his college campus—captain of the swim team, revered by his peers, and used to controlling every outcome in his life. But when May Richards moves into the room next to his in the dorms, his rigid world collapses into a singular fixation. The wall between their rooms is paper-thin. What starts as mild curiosity quickly turns into a calculated obsession. Damon learns the rhythm of May’s life through sound alone: the indie music she plays before bed, her quiet habits, and her phone calls home. When May walks past him in the hallway without a second glance, Damon’s pride takes a hit. Unused to being ignored, he vows to make her notice him—not by force, but through a meticulously orchestrated campaign of "coincidences." Using his athletic discipline, Damon mapping out May’s routine. He begins appearing at her favorite off-campus coffee shop, aligning his running routes with her seminars, and quietly eliminating any obstacles in her life. He goes as far as spreading rumors to alienate her ex-boyfriend, ensuring that he becomes the only safe haven in her world. Slowly, May lets her guard down, opening up to Damon during late-night conversations on the hallway floor. However, Damon’s thirst for control leads to his downfall. When May leaves for a weekend trip, Damon uses a spare key from the dorm manager to enter her room—just to be surrounded by he

Genero:
Romance
Autor/a:
Anna Barlinsky
Estado:
hace 3 meses
Capítulos:
2
Rating
n/a
Clasificación por edades:
16+

Chapter 1 The wall between us


The wall between our rooms is thin — cardboard, honestly — as if the dorm architect decided students didn't deserve actual privacy. I found out on the very first night my new neighbor moved in. Before her, a guy named Brody lived there, snoring like a clogged pipe. I almost missed that snoring; at least it didn't force me to listen.

She forces me to listen.

At first, it was just ordinary noises. The creak of an old chair when she sits at her desk. The thud of sneakers hitting the floor — one, two — as she neatly removes her shoes by the door instead of kicking them off. Then came her voice. In the evening, she talks on the phone, keepings her voice low. But the walls here aren't built for secrets, and I catch fragments of her conversations: “No, Mom, I'm fine,” “No, I don't regret transferring,” “Just give me a little time.”

I didn't mean to memorize any of it. It just stuck.

By the third night, I already know she doesn't go to sleep before 1:00 AM. I know she plays a quiet indie band before bed — I still haven't figured out the name — and that she has a habit of whispering to herself when something frustrates her. A short, annoyed “come on,” directed at her lecture notes or her laptop charger.

I tell myself it's just curiosity. That anyone would pay attention with a wall this thin. That it isn't about me — it's about the architect.

I see her face for the first time on Tuesday, in the hallway, completely by accident — if that word even applies when I intentionally linger at the water fountain five minutes longer than necessary just because I heard her door open.

She's short, her dark hair pulled back into a messy ponytail. Simple silver hoops in her ears. Her face wears the exact kind of indifference usually reserved for looking at a wall, not a person. She walks right past me without a glance, and with absolute, almost insulting clarity, I realize she has no idea who I am.

It should feel refreshing. Everyone on campus knows who I am — the swim team captain, the face on the gym banner, the guy whispered about in the bleachers. Usually, eyes drift toward me automatically, without any effort on my part. But she passed me like I was just a fixture in the hallway.

It doesn't feel refreshing. It pisses me off so much that I stand by the fountain for another minute just trying to process what I'm feeling.

“You look lost,” Brody says, my former neighbor, passing by with a laundry basket. “Forget how to pour water?”

“Just thinking,” I say.

“About what?”

I don't answer. Because the truth — “about the girl behind the wall whose name I don't even know” — would sound like something I'm not ready to admit to myself yet.

That evening, I learn her name. Not by accident, either. I explicitly check the resident list posted near the wing entrance under the pretense of looking for the laundry room number. Room 214. May Richards.

May. I repeat the name once in my head, and it lodges somewhere behind my ribs like a splinter that feels good to press against.

That night, lying in the dark, I listen to her get ready for bed — the same indie band, the same squeak of the mattress, the same heavy sigh she uses every night to decide the day is over. I know I should sleep. I have practice at 6:00 AM.

Instead, I lie there listening to the life of someone who doesn't know I exist. I think about how unfair that is to her — and then I think about how unfair it was for her to walk right past me without a second glance.

I decide I'm going to make her notice me. Not all at once. Not aggressively. Just... notice.

It takes me a surprisingly short amount of time to figure out how.

¡Cuéntale a Anna Barlinsky lo que piensas sobre este capítulo!

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