Introduction to My Writing.

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Summary

This is not really a book. It’s just an introduction. A small explanation of who I am as a writer, what kind of things I think about, and what kind of writing you can expect from me. There’s no plot here, no characters, and no story to follow. This is simply me trying to put into words the kind of mind behind the things I write. I wanted to leave this here because a lot of my work can be philosophical, psychological, quiet, strange, heavy, or different from what some people might expect. So this is just here to introduce you to that. To my ideas, my influences, the kinds of questions that stay in my head too long, and the reasons I write in the first place. This isn’t meant to impress anyone. It’s just honest. If you’ve ever wondered what kind of writer I am, why my stories feel the way they do, or why I seem more interested in meaning than simple entertainment, then this is probably the best place to start. And if you decide to stay, then at least you’ll know what kind of mind you’re stepping into first.

Genre
Adventure
Author
J J
Status
Complete
Chapters
1
Rating
n/a
Age Rating
13+

Introduction.

Hi there. JJ here.

I’m an independent writer.

I don’t really know how else to introduce myself without pretending to be something I’m not. I’m not here to become famous. I’m not here to chase charts, numbers, or awards. I’m not trying to be the best writer, and I’m not trying to build something perfect.

I write because I have to.

There are thoughts that sit in my head for too long, and they don’t leave. They stay there, repeating themselves, changing shape, asking questions I can’t answer. Writing is the only way I’ve found to deal with that. It’s not really a choice. It’s more like an outlet.

Most of what I write falls somewhere between philosophical and psychological. Sometimes it leans darker. Sometimes it’s quiet. Sometimes it’s just uncomfortable in a way that’s hard to explain. I’m not very interested in clean answers or simple resolutions. I’m more interested in the questions that don’t go away.

Questions about meaning. Identity. Memory. Consciousness. Awareness. The subconscious. The unconscious. Faith. Love. Death. Change.

Why do people believe what they believe?

Why do people need religion?

Why does love feel sacred to some people and destructive to others?

Why do human beings need meaning at all?

And what happens when the things holding someone together begin to fall apart?

That’s the kind of space I write in.

A lot of my writing is inspired by Russian literature, existential philosophy, psychology, and the darker side of self-awareness. Writers and thinkers like Dostoevsky, Kafka, Camus, Nietzsche, Schopenhauer, Philipp Mainländer, Carl Jung, and even books like No Longer Human have all influenced the way I think and write.

If I’m being honest, Dostoevsky is probably the greatest influence on me. In my opinion, he was one of the wisest minds to ever live. A lot of people would say someone like Socrates was the wisest, and I understand why, but I personally think Dostoevsky belongs in that same conversation without question.

What I admire most about writers like that is not that they wrote “beautifully.” It’s that they were willing to go into places most people avoid. Contradiction. Shame. belief. Fear. Guilt. Faith. Madness. Human weakness. The parts of people that are hardest to look at directly.

That’s what interests me too.

I don’t really write to entertain in the traditional sense. I don’t sit down and think about what people want to read or what would keep someone turning pages faster. I write about things that stay in my mind and refuse to leave. Things that make me question everything. Things that feel real to me, even if they’re difficult to explain.

A big part of that comes from something I think about a lot:

I don’t think the human mind actually thinks in language the way we speak it.

The voice inside your head understands things before words ever do. It understands feelings, images, memories, fears, meanings, and contradictions all at once. It just knows.

But the moment you try to turn that into words, something changes.

You take something that felt complete and reduce it into a sentence. You try to explain a feeling using a system that was never designed to fully carry it. And no matter how carefully you choose your words, something gets lost in that translation.

Probably more than we realize.

That’s why I don’t really believe English, or any spoken language, is our true “native language.”

I think our real native language is the one inside our own mind. The one that doesn’t need grammar. The one that doesn’t need structure. The one that makes sense to you before you even try to explain it.

What we speak out loud is something else.

Maybe it’s a shared language. Maybe it’s a public language. Maybe it’s a geographical language. Something we use so we can understand each other, but not something that fully represents what we actually mean.

And writing, at least for me, is an attempt to translate between those two.

I know it’s impossible to do it perfectly.

I know I will never be able to take what exists in my head and place it onto paper in its original form. Something will always be missing. Something will always be simplified, reduced, or misunderstood.

But I still try.

And I’ll probably keep trying for the rest of my life.

I’m also deeply interested in the places where philosophy, psychology, and science begin to overlap.

Sometimes my writing pulls from things like entropy, energy, time, the universe, the origin of existence, space, planets, atoms, particles, extraterrestrial life, quantum physics, light speed, and the idea that science often ends up sounding just as unsettling as philosophy when you really sit with it long enough.

Because in the end, science asks some of the same terrifying questions literature does.

What are we?

Why is there something instead of nothing?

What does consciousness actually mean?

How much of us is truly “us”?

And how much of life is just a brief arrangement of matter trying to understand itself before it disappears?

Those questions stay with me, so they find their way into my writing too.

I don’t care much about rules when I write. Not because I think rules are wrong, but because they’re not what I’m focused on. I don’t sit there thinking about structure formulas, pacing checklists, or what a story is “supposed” to look like.

I just write what feels honest.

Sometimes that means a chapter is slow. Sometimes it means not much happens on the surface. Sometimes it means the story feels more like a thought than a plot.

I know that won’t work for everyone.

Some people might find it boring. Some might feel like nothing is happening. Some might not connect with it at all.

And that’s okay.

I’m not really writing to please everyone. Most of the time, I’m writing for myself. Not in a selfish way, but in a necessary way. I’m trying to take something out of my head and place it somewhere else, even if it comes out incomplete.

If someone reads it and finds something in it, even a small part that feels familiar or understood, then that means a lot to me.

But even if no one does, I would still write.

Because at the end of the day, this isn’t really about recognition.

It’s about not keeping everything inside.