A NOTE ON LANGUAGE AND TRANSLATION
The protagonist of this novel, Yamamoto Haru, is a man who has lived across four centuries and many cultures. His native tongue is Japanese — classical Japanese at that — though over the span of his long life he has become fluent in English and other languages.
Throughout this novel, Haru’s internal thoughts, recollections of historical dialogue, and moments of deep emotion arise in Japanese. For the reader’s clarity, these passages appear in English as direct translations — rendered in the voice and cadence you would expect from the character himself, rather than literal word-for-word renderings.
Japanese words and phrases that appear untranslated — such as ronin, uchigatana, or mono no aware — are terms that carry cultural meaning too specific or too layered to reduce to a simple English equivalent. These words are italicized on first use, and a brief glossary is provided at the end of the volume for reference.
Historical names of people and places follow standard Hepburn romanization. Where historical figures spoke or wrote in Japanese, their words have been translated with attention to period context and meaning.
In this way, what you read is not merely a translation of language, but of a life.
Thank you! I really appreciate that. I’m happy to know the story and characters are landing the way I hoped..
In regards to the visual ideas—that’s something I’ve thought about as well. I’d definitely be open to hearing what you had in mind for some of the scenes.
Thanks again for taking the time to read and comment.