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Daughter Of Dawn

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Summary

Alona Fetterman trusts facts, not prophecy. But when a routine excavation uncovers an impossible artifact tied to her bloodline, she is pulled into a world of hidden orders, ancient secrets, and a truth that may rewrite history.

Status
Ongoing
Chapters
14
Rating
n/a
Age Rating
18+

Chapter 1: Glass

Alona woke to the sound of glass breaking.

Not thunder.

Not wind.

Glass.

Her mother’s hand clamped over her mouth before she could scream. The room was dark except for the thin moonlight cutting through the curtains. Beyond the bedroom door, men moved through the house with calm, heavy steps.

Boots.

Low voices.

Metal clicking against metal.

Her father shouted from the hallway.

“Don’t touch that!”

A gunshot split the house.

Alona’s mother pulled her beneath the bed so fast her shoulder struck the wooden frame. Pain flashed through her arm, but her mother’s hand stayed firm over her mouth.

“Do not move,” her mother whispered. “No matter what you hear.”

Alona nodded, tears burning her eyes.

Through the dark space beneath the bed, she saw only pieces.

Black boots crossing the floor.

A long coat brushing against a man’s knees.

A silver ring marked with a crooked cross.

Then something else.

A torn piece of parchment in the man’s hand.

It should have been ordinary. Old paper. Dry and fragile.

But it was glowing.

Faint at first.

Then brighter when the man stepped near the bed.

Alona held her breath.

The man stopped.

The parchment pulsed once, soft as a heartbeat.

Then his head turned toward her.

“Excuse me, ma’am?”

Alona blinked.

The bedroom vanished.

The blood vanished.

The boots, the parchment, the smell of smoke and dust.

All of it folded back into memory.

She was standing in the arrivals hall of Ben Gurion Airport, one hand clenched around the strap of her satchel, the other pressed against the silver pendant at her throat.

A young security officer stood in front of her with a polite but cautious smile.

“Ma’am?” he said again. “Are you all right?”

Alona released the pendant and forced herself to breathe.

“Yes,” she said.

But her voice sounded far away.

The officer glanced at the passport in his hand.

“Alona Fetterman?”

She nodded.

“Welcome back to Israel.”

He handed the passport back, but he didn’t step away.

“You spaced out,” he said, still polite, but watching her more closely now. “Are you traveling alone?”

“Yes,” Alona said.

“Do you have anything you need to declare,” he asked, “any items of cultural heritage, religious objects, or antiquities?”

The question should have been routine.

It hit like a match.

Alona saw, in a flash, the field table at the survey site. The intake sheet. Leah Ben-Ami’s neat signature on the bottom line.

We’ll handle the transfer. Don’t worry about it.

“No,” Alona said, too fast.

The officer’s eyes flicked to her satchel. Then to the pendant at her throat. Then back to her face.

“Please follow the blue line,” he said, and gestured toward the baggage screening lanes. “One more check and you’re through.”

Alona moved on autopilot.

Bins. Conveyor. The practiced humiliation of being reduced to objects.

She set her satchel on the belt and watched it disappear into the machine.

For a few seconds, the world was just motion and fluorescent light.

Then the X-ray operator stiffened.

A hand went up.

The belt stopped.

A second officer stepped in beside the first, eyes on the monitor.

“Whose bag,” he called, already knowing.

Alona’s throat tightened. “Mine.”

“Step over here,” the first officer said.

He didn’t touch her, but he positioned his body the way security does when it wants you to move without feeling forced.

A swab kit appeared. The satchel was unzipped. Hands in gloves moved through her things with a calm that made it worse.

The officer pulled out the fired clay tablet like he’d known exactly where it would be.

Alona’s stomach dropped.

He held it up to the light, looking for cracks, for hidden compartments, for an excuse to label it something else.

“Secondary screening,” the first officer said, as if that explained everything.

Alona tried to speak. Her mouth didn’t cooperate.

They walked her away from the lanes and through a door marked STAFF ONLY.

They pulled her aside.

The room they took her to had the smell of antiseptic and overworked air conditioning. A metal table bolted to the floor. Two chairs. A camera bubble in the corner that pretended to be asleep.

The officer unzipped her satchel with careful hands and removed the item that had tripped the alert.

The tablet was clay, fired dark at the edges, with wedge-shaped marks pressed into its surface.

“Sumerian,” Alona said before she could stop herself.

The officer’s eyes narrowed.

“You know what it is?”

“I know what it looks like,” she said. Her throat tightened. “Cuneiform. Early. Probably southern.

Eridu.

The thought landed like a bruise.

She’d excavated it on a joint survey near the ruins—southern Iraq, dust that got into your teeth, a grid of string and stakes and sun.

It was supposed to go into a sealed crate with the rest of the finds.

It was supposed to be logged, signed, flown under protocol.

It was not supposed to be in her bag.”

They asked questions that sounded routine until they didn’t.

Where did it come from.

Who gave it to her.

Why was she carrying it.

Why was she back in Israel.

She gave answers that were true, but none of them sounded clean enough to satisfy.

In the end, the older officer set the tablet back into the foam cradle like it was something that could bite through plastic.

“We are going to keep this,” he said.

“I want a receipt,” Alona said.

“You will be contacted if necessary,” the younger officer replied.

“That’s not an answer.”

“It’s the one you get,” the older officer said, sliding her passport across the table. “You may go.”

Alona stood.

A sudden crack and a metal clang echoed from somewhere outside the room.

A muffled shout.

Another, sharper.

Then a word carried down the corridor—half swallowed by walls, but unmistakable in its panic.

“Bomba—”

Both officers moved at once.

They rushed out, radios snapping to life, leaving the door open behind them.

Alona stared at the table.

At the foam cradle.

At the clay tablet sitting there like a dare.

Her body went quiet.

Precise.

She stepped forward, lifted it with both hands, and slid it into her satchel, deep, wrapped in the spare shirt she’d packed.

Zipped it.

Shouldered the bag.

Then she walked out into the corridor and let the building’s sudden chaos swallow her.

People were surging toward exits. Guards shouted. An announcement crackled overhead and died mid-sentence. The airport’s clean order collapsed into motion.

Alona moved with the crowd.

Not running. Running drew eyes.

Behind her, a voice cut through.

“Ma’am—hey!”

The younger officer.

“Stop! Ms. Fetterman—”

Her name hit the air like a hook.

Alona didn’t look back.

She turned when other people turned, became one more body in a river of fear, and slipped into the thicker flow where cameras saw only shoulders and luggage.

By the time she reached the sliding doors, the shout had been swallowed by the building.

Outside, heat hit her face. Sunlight. Exhaust. The curbside lane jammed with confused movement and raised voices.

Alona stepped away from the flow and forced herself to slow.

A few meters off the curbside crush, near a service access lane, a woman stood half in shade, half in glare.

A phone to her ear.

She wasn’t waving a placard.

She wasn’t looking for anyone.

She was watching.

Alona’s eyes met hers for a fraction of a second.

The woman’s face didn’t change.

Just calm.

Then Alona saw the driver line.

Placards behind the railing. Names in black marker.

And there, held chest-high by a man who looked like he’d been waiting for a flight that mattered:

ALONA FETTERMAN

She stopped.

She hadn’t called for a car.

A man who was already too sure of her face lifted the placard a fraction higher.

“Alona Fetterman?” he said.

“I didn’t book a driver,” Alona said.

“You didn’t,” he replied. “Leah Ben-Ami did.”

The name was dull familiarity. An email signature. A new contact thread that had appeared in her inbox last week with a polite subject line and a PDF attachment.

Welcome to the project.

“She’s intake,” Alona said.

“She’s coordination,” he corrected smoothly. “She said you’d get pulled into secondary.”

Alona went still. “Secondary.”

He nodded like it was nothing. “And she said they’d try to keep the tablet.”

“You weren’t supposed to know any of that,” Alona said.

“She told me,” he said.

Alona stared at him, then at the airport doors, then back.

“Show me ID.”

He produced a laminated badge, held it up for a breath, then lowered it.

“Tel Aviv lab?” Alona asked.

“Lab intake,” he confirmed. “But not the front. Leah said use the side entrance.”

Alona’s mouth tightened. “Why.”

“After-hours protocol,” he said.

“That’s not an answer,” Alona said. “IAA—the Israel Antiquities Authority—doesn’t do ‘side entrance’ for intake. It does forms.”

“Forms will be inside,” he replied.

“Call Leah.”

A pause. Small. Controlled.

Then he said, “Leah said you’d ask that.”

That was the moment it stopped feeling like coordination and started feeling like choreography.

Alona tightened her grip on the strap. If she walked away, she became the archaeologist leaving Ben Gurion with an unlogged antiquity.

If she followed, she walked into whatever Leah had staged.

She took a breath and chose the only option that bought time.

“Fine,” she said. “But if you take me somewhere that isn’t the lab, I start yelling names in public.”

He nodded once. “Understood.”

And then he walked like he already knew she’d follow.

The car wasn’t in the normal pickup lane. It was parked near a service access spot where the curb paint was chipped and the angle of the cameras felt accidental.

He opened the rear door.

Alona slid in, satchel tight on her lap.

The door shut.

The locks clicked.

They pulled away.

Tel Aviv rose ahead.

The driver kept his voice level. “They’ll ask you to sign intake.”

“They can ask,” Alona said. “I don’t have to.”

“You should,” he replied. “If it isn’t logged, it can’t be protected.”

Protected did too much work.

“Protected from who,” Alona asked.

He didn’t answer.

He took an exit into an industrial stretch, slowed at a gate, and the arm lifted without a ticket or an intercom.

No questions. Just permission.

He parked beside a low building with minimal signage. A plaque in Hebrew and English.

LABORATORY SERVICES.

He killed the engine.

“We’re here,” he said.

Alona didn’t move.

“I want to speak to Leah,” she said.

The driver paused.

Then he said, “Leah is real.”

Alona’s fingers tightened on the satchel strap.

“But she isn’t yours,” he continued. “Inside, they’ll log the tablet. You’ll sign. It’ll be ‘contained.’”

Contained sounded like safety until you heard what it actually meant.

“And then,” he said, meeting her eyes in the rearview mirror, “it won’t be yours anymore.”

He opened his door and stepped out.

Alona sat in the back seat with the clay tablet in her lap, the lab door waiting in front of her, and the gate behind the car lowering into place like a quiet decision made by someone else.

If she walked inside, the tablet would disappear legally.

If she didn’t, she would be the archaeologist who walked out of Ben Gurion with an unlogged antiquity and no paperwork.

Either way, Leah Ben-Ami had already moved her piece.

Let Dorsey Kane know what you thought about this chapter!
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author

Hey! Your attention to worldbuilding is honestly incredible. Every part of the story feels purposeful and emotionally rich, and the depth of the lore makes it so easy to get completely immersed in your world. The latest chapter was amazing, and while reading it, I found myself coming up with a few ideas and theories about where the story might go I’d love to share them with you.

2 months
1
author

This opening grabbed me fast, the airport scene is tense, clean, and cinematic, and the way you move from Alona’s childhood memory into the present makes the chapter feel layered right away. I really liked the atmosphere in the first half: the glass, the silence, the security tension, and that clay tablet all work together to create a strong sense of unease.

Alona also feels compelling because she’s calm under pressure without feeling flat, and the final beat with Leah Ben-Ami raises the stakes nicely. My only small note is that the chapter has a lot of strong moving parts, so letting one or two moments breathe a little more could make the suspense hit even harder. Overall, this is a really solid and intriguing start.

If you’d like, I’d be happy to share more detailed feedback too.

2 months
1

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Daughter Of Dawn