The Innocence Protocol

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Summary

He doesn't kill. He corrects. Daniel Kruk walks into a police station and turns himself in. There are victims. There are evidence. The case seems simple. It isn't. Prosecutor Maja Sęk has built her career on facts, procedure, and the belief that the system — broken as it is — remains the only legitimate answer. Then she meets Kruk. He doesn't deny anything. He doesn't ask for mercy. He doesn't look like a man who is afraid. He looks like a man who already won. As the trial becomes a public spectacle and the system that was supposed to convict him begins cracking under the weight of its own failures, the question stops being about guilt. It becomes about justice — and whether justice and law are still the same thing. Set in Warsaw, Protocol of Innocence is a dark psychological thriller about a prosecutor who must decide which is harder: proving a killer wrong, or admitting he might be right.

Status
Ongoing
Chapters
14
Rating
n/a
Age Rating
18+

Chapter 1: Deadlock

The gravel in the driveway of the old rolling mill didn’t crunch. It screamed beneath the tires. Maja killed the engine, but her hands remained clamped around the steering wheel for a moment longer. The skin over her knuckles had gone white, stretched to the breaking point. She took a deep breath. The air inside the car tasted of stale plastic and the breath mints she’d been chain-chewing ever since she quit smoking.


She stepped out.


The November wind blowing off the Vistula hit her in the face like a wet rag. At this time of year, Żerań was an industrial graveyard. Rusty skeletons of gantry cranes, shattered windows glaring with absolute blackness, the stench of silt and grease. She pulled up the collar of her coat. The cold crept beneath the wool, grazing her spine. She shivered. It was a reflex. Pure physiology.


Paweł Dąb stood just beyond the police tape. His usually slouched frame was unnaturally rigid. He was smoking. The smoke escaped horizontally, shredded by the squall.


"Madam Prosecutor." He didn't toss the butt. The cherry was burning down to the filter.

"What do we have, Paweł?"

"Theater."


He walked toward the massive sheet-metal doors. She followed. Her heels tapped out a rhythm on the concrete that echoed back from the warehouse’s cavernous ceiling. *Clack. Clack. Clack.* Inside, it was bathed in a deep gloom, sliced open by beams of light from police halogens. Dust swirled in these columns of brilliance, seemingly suspended in time.


There was no stench. That was the first thing that struck Maja. The absence of smell. No blood, no feces, none of that sickly-sweet scent of decay that usually accompanied her line of work. The air was dry, almost sterile.


The victim was sitting in the middle of the hall.


Witold Kania. Developer. Philanthropist. A week ago, he had walked out of the courthouse with a smile that cameras broadcast to every screen in the country. "Insufficient evidence." The court had not believed the testimony of a twelve-year-old girl. Maja remembered that day. She remembered the taste of bile in her throat as the judge read the justification.


Now, Kania was sitting on a simple wooden chair. He was wearing the same suit he’d had on when he left police custody. Navy blue, wool, impeccable. His hands rested on his knees, palms facing upward. His head was tilted slightly to the left, as if he were listening.


Maja stepped closer. The forensics tech backed away without a word.


She looked at Kania’s face. His eyes were closed. His skin, drained of circulation, had taken on a waxy hue. He looked peaceful. More peaceful than he ever had in life.


"Cause of death?" Her voice was raspy. She had to clear her throat.

"At first glance? Nothing," Dąb muttered, stepping up right behind her. "No stab wounds, no gunshot wounds, no signs of strangulation. He's clean. It's as if someone simply pulled the plug."


Maja leaned over the body. She noticed something on the deceased's neck. A thin, red line right beneath the jawline. It hadn't bled. It was precise, nearly invisible, as if drawn with a scalpel that had barely grazed the epidermis.


She waited for the nausea. She waited for that familiar knot in her stomach, the heaviness that always materialized whenever she looked at death. She knew her own body. She knew how it reacted to evil.


But her stomach remained settled.


Her heart, instead of racing, slowed down. It beat steadily, powerfully, calmly. The tension in her neck she had been carrying for a week, that dull ache radiating to her temples, suddenly eased. As if someone had snipped an invisible string.


She felt a rush of warmth in her fingertips. The blood was returning to her extremities.


That terrified her more than the corpse.


She took a step back. Her shoe scraped against the concrete. The sound was too loud.

"Who found him?"

"Site security. Routine patrol. They claim the doors were open. No signs of forced entry. Locks are intact."


Maja looked around the warehouse. The space was immense, overwhelming. And yet, in this specific spot, right around the chair, there was mathematical order. No trash, no rubble. The floor around the chair looked as if it had been swept.


"This isn't a crime scene, Paweł," she said quietly.

"Then what is it?"

"An altar."


Dąb looked at her, narrowing his eyes. The halogen light reflected in his pupils. He pulled a fresh pack of cigarettes from his pocket and tore the cellophane. The crinkling sound was grating.

"Kania had a security detail. Two ex-GROM operatives. They're gone. The cameras at his house? Looped. They recorded the same feed for four hours. Whoever did this knew more about security systems than the people who installed them."


Maja looked back down at Kania's hands. Open. Waiting. She pulled a pair of latex gloves from her purse. The rubber encased her fingers with a soft snap. She touched the victim's wrist. Cold. Stiff. Rigor mortis was already fully established.


That was when she noticed it.


Lodged underneath Kania’s impeccably manicured left fingernail was something black. A speck. Not dirt.

She leaned in so close she caught the scent of the expensive cologne he wore. She pulled a pair of tweezers from the tech's kit without asking for permission.

"Light," she ordered.


Dąb trained his flashlight on the hand.

Maja carefully extracted the speck. It wasn't soil. It was a bird's feather. A tiny, black, downy feather. From a raven.


She straightened up. A low rushing sound filled her ears. Not from terror. From a dark thrill. A tingle ran up her spine, from the small of her back all the way to her nape. She felt... light. Kania was dead. The system had failed, the law had failed, she had failed. And yet, justice had been made flesh. A cold, dead body on a wooden chair.


"Take him away," she said. Her voice was hard, professional. The mask had slipped back into place. "Autopsy tomorrow at eight. I want to be there. And find me those bodyguards. Dead or alive."


She headed for the exit without looking back. She needed to get outside. She needed a smoke, even though she didn't smoke anymore. She had to wash this feeling off her skin. This monstrous, soothing relief.


Outside, the wind had picked up. It battered the sheet-metal walls of the factory, making them groan like some massive, wounded beast. Maja leaned against the hood of her car. The metal was ice-cold. She pressed her forehead against it and closed her eyes.


In the darkness behind her eyelids, all she could see were those open palms.

And she knew this was only the beginning. Whoever had done this wasn't finished. He was only just tuning the instrument.