SARAH OF THE ABYSS

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Summary

November 2021. The South Pacific. Sarah Tevailler, a 21-year-old blonde "mermaid," possesses a terrifying physical gift: the ability to traverse the crushing depths of the ocean without a single piece of equipment. Her life changes when she meets Kurosaki, the 33-year-old charismatic CEO of an IT empire. Captivated by the "fearless nihilism" in her eyes, Kurosaki constructs "HADAL"—a pitch-black deep-sea facility built with his vast private fortune. There, he subjects Sarah to ten unprecedented trials: from being suspended upside down in the abyss to underwater carnal encounters, and a death-defying ascent from 200 meters. On the brink of extinction, Sarah finds—and embraces—an ultimate pleasure that can only be felt at the edge of death. By December, the spectacle moves to the grand theater "NUCLEUS." During a year-long residency titled "Abyss Cathedral," the world’s elite gather to witness Sarah’s divinity. Emerging from 100 meters on a single breath and performing breathless underwater acts, she is deified as the "Modern Mermaid." But beneath the surface of her success, a shadow looms. Kurosaki’s long-standing rival plots to eliminate her. Through abduction, confinement, and traps designed to drown, Sarah is pushed to the limit. Yet, she rises from the ocean floor, transforming from prey to judge as she executes her captors in the silent dark. Set against the backdrop of a South Pacific paradise, this is a forbidden underwater epic of obsession and survival between a mad producer and a peerless mermaid. To protect the one she loves, she will dive into the abyss again and again.

Status
Ongoing
Chapters
81
Rating
5.0 1 review
Age Rating
18+

001 | 1-1. The Monarch of the Southern Hemisphere

Chapter 1: The Azure Prison of the Summit


November 2021.

A dry monsoon swept along the coast of Cairns, Northeast Australia, tracing the shoreline like a skeletal finger.

The Coral Sea was unnervingly still that day. The waves, which should have been crashing into white foam, were unnaturally suppressed. A leaden surface stretched toward the horizon, maintaining an eerie, fragile equilibrium.

Piercing that silence was a jet-black monolith, jutting out into the sea like a splinter of obsidian.

There were no windows. The exterior walls bore no decorations, no nameplates—nothing but a light-devouring blackness that swallowed the afternoon sun. It looked less like a building and more like a gargantuan coffin washed ashore, or perhaps the physical manifestation of a “will” entombed within the earth.

Inside, the structure was filled with hundreds of tons of purified seawater. In this hermetically sealed void, devoid of any human presence, the water lay frozen in silence, forbidden from making even the slightest ripple. Here, sound and time were severed from the outside world.

The name of this bizarre monument:“HADAL.”

Its creator was Edward Kurosaki, CEO of the Cairns-based fintech giant, “Black Dog.” Putting his reputation and his future on the line, he had poured his entire private fortune into the completion of this facility.

It served a single purpose:Cinematography.

A stage with no exits, no audience, and no room for coincidence. It was a machine designed for beauty—and a crystalline monument to madness.

By day, Edward Kurosaki was the president of Black Dog. But today, he would take on his true role: the director of a twisted broadcast. He dismissed contemporary pornography as a “souless collision of flesh.” What he sought instead was the “radiance of instinct”—the raw, primal glow that the human body reveals only when pushed to its absolute limit.

He craved the ultimate eroticism, a bloom that only opens at the precipice of death. To capture it, he had constructed this massive vertical pool, fifty meters wide and deep, ranging from two meters to a staggering 120 meters, equipped with ten distinct “Ordeals.”

Most notably, at the edge of the 120-meter floor, a dark abyss gaped open—a hole ten meters in diameter. This shaft plunged an additional eighty meters down, reaching a total depth of 200 meters. It was the ultimate symbol of Kurosaki’s insanity.